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Seraphine wedding gown, front full-length
Seraphine wedding gown, back - over-shoulder gaze lowered
Seraphine wedding gown, bodice - profile study
Seraphine wedding gown, three-quarter close - back, glancing over the shoulder

Cathedral

Seraphine

N363

A beaded halter bodice over a ball gown of tiered organza ruffles, cascading from the waist into a long, rolling train.

Silhouette
Ball Gown
Neckline
Halter
Sleeves & straps
Strapless
Fabric
Organza
Colour
Ivory
Detail
Beading

Seraphine is measured in volume. Above the waist it is precise: a high halter collar and a fitted bodice beaded in vertical runs that catch the light and hold the eye up. At the waist the discipline ends. The skirt breaks into tiers of organza, each ruffle edged so it holds its curve, layer falling over layer the whole way to the floor. The fabric stands away from the body with true ball-gown volume, and every step sets the surface moving. The back opens in a clean keyhole beneath the beaded collar, the bodice's shimmer continuing to the zip before the cascade takes over. Behind her the ruffles keep rolling past the hem into a long train that settles like turned water. It asks for room: a wide aisle, a high ceiling, a doorway worth pausing in. It repays the room the moment she walks through it.

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